Read Online Studio: Creative Spaces for Creative People By Sally Coulthard

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Studio: Creative Spaces for Creative People-Sally Coulthard

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Ebook About
Art, craft and all things homemade have never been more popular and the trend for working from home continues apace. But it can be tricky to carve out a space in your house that lets you indulge your passion or earn a living from your creativity. Studio and study spaces are special places – full of creative spirit and practical potential – and there's never been a greater demand for a book that shows you how to carve out a corner that allows you to not only practice your craft, but inspires and facilitates the very work you create. Real-life case studies from seven different countries, ranging from crafters, writers, designers and artists, show readers just what can be achieved on every budget. Many of the studio owners featured have a dedicated and ever-expanding social media following, including fashion designers Kiel James Patrick and Sarah Vickers, woodworker Ariele Alasko, designer Sarah Sherman Samuel, fine artist Lisa Congdon and decor8 blogger Holly Becker. Detailed chapters outline the vital pieces needed to create a functioning and inspirational studio space, while also taking an in-depth look into different styles of studios for craft and creative activities. With Studio, Sally Coulthard shows you that spaces for creativity can be easy to make, look beautiful, and fitted into any home.

Book Studio: Creative Spaces for Creative People Review :



Author’s Recipe for Studio: inventory goes into tiny bins overwhelmed with this year’s paint color; what does the client like? Use found junk tables? Where are the level, smooth work surfaces for sketching, a table top loom, metal work, silk? What dominates—creative effort or inventory display? Pencils, brushes, spilt custom dyes, needles: they slip & roll. Work area where creativity reigns: Distance from wall boards for design, change, redesign of menus, drapes, dresses is? Safe exit from 2 gas tanks (boom) to street? A full flight of stairs or just a few feet? Lights: so your clients live in glass barns & the sun doesn’t move? If not, work under 1) SAME light consistently OR 2) under clients’ actual light. (1: Color X stays Color X. Client likes X+Y too—show Y under same light as X.) Wow or Yuck? Investing your fees: choose ergonomic/task specific furniture & great lighting OR rent industrial salon, go for glitz, back, leg, shoulder pain & no joy.
This book is incredibly inspiring for any creative who doubts their "trivial" work. It may not appear important but it is rewarding in so many other ways. Peering into the lives and cognition of creatives in such vast fields from fashion, jewelry design, to illustration, and painters, it really underlies the importance of not only a dedicated space, but a curated space. The author does good use of compiling the book into three parts: 1) studio inspiration 2) studio work 3) studio elements. Each spread provides detailed text of the subject matter the artists delve in, while highlighting pervasive design styles: industrial, mono, collected, natural, etc. A very great addition to a design library.

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